Chicago Seven: take three
By Sharla A. Stewart
Photography by Lloyd DeGrane

In the third installment of a four-year project, the Magazine revisits its Chicago Seven. The College third-years run in different crowds, vaguely aware of each other. Four have studied abroad, three live in residence halls, and only one is concentrating in the sciences. Less engaged in extracurricular activities and more focused on the future, they are, by their own admission, growing up.

John Scott-Railton
Ann Arbor, Michigan

The most striking thing about John Scott-Railton’s 12th-floor studio in Mies van der Rohe’s Algonquin Apartments at 50th Street and Hyde Park Boulevard is the sweeping southward view. There is the campus, its spires barely piercing the firmament above. As clouds pile up in the west (“It’s a Dutch master’s sky! Where’s Vermeer?”), planes make their way to Midway Airport, and whitecaps build on the lake to the east. Inside, the blinds rattle in the breeze. A series of unframed, evenly spaced photographs hangs at eye level: images of towering masts, billowing sails, neatly coiled lines, the wine-dark sea. Last summer Scott-Railton lived and worked as a deckhand aboard the Alabama and the Shenandoah, two tall ships based in Vineyard Haven, Martha’s Vineyard, Massachusetts. The photos were taken with disposable cameras; in a self-portrait, his hair is bleached blond, his features tanned. “It was hard for me to come off the boat at the end of the summer and get my noggin around what seems like an unhealthy existence. I’d been waking at dawn, eating huge amounts of protein and meat, hauling and lifting tons of materials. My hands were callused to hell. Suddenly back in Chicago I felt incongruous.” Nearly done with a philosophy concentration he’s developed a taste for the more concrete field of cognitive psychology, which he plans to study in graduate school. His sailor days may be behind him, but in his studio, at least, he has preserved the outlook discovered while riding high in the masts: “You can see things a long time before they happen,” he says. “It’s true peacefulness. There is nothing you don’t know will come.”

Molly Schranz
New York City

The fourth-floor Broadview single where Molly Schranz has lived since winter quarter feels like a pit stop. The books, the microwave, the clothes are all there, but the walls remain almost bare. After three years of packing, storing, and moving, Schranz reflects, her stuff no longer seems so important. Or perhaps the room simply can’t live up to its occupant’s fall quarter experiences in London. What sticks in her mind, aside from the city’s great history, are its “nice supermarkets: clean and modern with a really diverse selection of food products.” The English literature concentrator also enjoyed “the great selection of quality magazines, like the classic HELLO! available at a much more affordable price than in the U.S.” But her favorite part of the adventure was a week spent traveling around the U.K. by train and ferry. “I think I left my heart in Llanwrtyd Wells, Wales, which is the tiniest town in Britain and also the home of the World Bog-Snorkeling Championship and the Man v. Horse Marathon. Sadly, neither of those was happening when I was there.” Outside of class Schranz continues to do programming at DOC Films, where last year she organized a series on Steve Buscemi and another on contemporary silent film.

Ashley White-Stern
Jamaica Plain, Massachusetts

When Ashley White-Stern wanders through Hyde Park, she reads the politics of the landscape. White-Stern is a founding member of the Angels of Def student group, which formed last year as an independent study of the University’s interactions with the surrounding community. Last spring the group hosted a speaker series, bringing prominent South Siders to campus, and this April it teamed up with the Center for the Study of Race, Politics, and Culture to hold the Cityspace conference at International House, opening its discussions to the larger community. Her final paper for the independent study explored the history of the Midway Plaisance. “It’s a landscape that reflects power and ideological changes,” she notes. “When I first arrived, it was a no-man’s-land; students were warned against going there alone. Now there are efforts to rewrite it, and it’s fascinating to see how they affect the people who live on both sides of it.” The cinema & media studies concentrator has also found inspiration in recent classes on Spike Lee and on black women filmmakers. “So much responsibility is put on these African American directors to represent an entire race,” she reflects, “and there are so few of them.” Last summer she received a Mellon research fellowship to study African American representation in Hollywood film during the past decade, a project she’ll complete this summer. Fresh from a quarter-long leave of absence—used to catch up on past-due papers—White-Stern no longer feels burnt out by the College’s academic rigor. “It’s great to be back in class,” she says. “I’m excited again.”

Carlos Grenier
Miami

My initial impressions,” Carlos Grenier writes via e-mail from Greece early in spring quarter, “are almost entirely positive. I love it here; I love the classes, the fast-paced schedule, the people I am with, and Greece in general.” Athens itself, however, is “hectic, smoggy, crowded,” and discounting the Acropolis, he notes, the city is “composed entirely of uniform five- to seven-story concrete apartment buildings, either white or grayed by soot. But it’s not all bad: it’s a good antidote to U of C life, I think, since as a whole it’s pretty relaxed.” Photographed in the kitchen of his three-bedroom 57th Street apartment shortly before leaving for Greece, Grenier chose to include the guitar he regretted excluding from his first-year photo. “I’m still playing guitar and still enjoying it. Not that I hope to ever do anything with this skill. It’s just a wonderful way to relax and pass the time.” As for the painting, “I’m not really a painter,” he writes. “I decided to try it out this summer, and I enjoyed it (not producing anything of lasting value), and since then I have, in manic (& ill-advised) creative bursts, painted a few things that I do kind of like.” This summer the biology concentrator will work in Assistant Professor Bruce Lahn’s brain genetics lab.