The 
                University is one of the foremost places in the United States 
                for medieval studies. Here's why.
               Assistant 
                professor of history 
                Rachel Fulton is trying to discern exactly what caused a marked 
                shift in early Christians' views of Christ. In her sixth-floor 
                office in Harper Tower, surrounded by medieval motifs, she searches 
                for clues in the writings of 11th- and 12th-century church theologians 
                such as Anselm of Canterbury and Peter Damian.
Assistant 
                professor of history 
                Rachel Fulton is trying to discern exactly what caused a marked 
                shift in early Christians' views of Christ. In her sixth-floor 
                office in Harper Tower, surrounded by medieval motifs, she searches 
                for clues in the writings of 11th- and 12th-century church theologians 
                such as Anselm of Canterbury and Peter Damian. 
               The 
                shift, she explains, occurred around the turn of the first millennium. 
                Before that time, pious Christians prayed to Christ as the all-powerful 
                King of Heaven rather than as the man who had died a humiliating 
                death. According to many early church authorities, the crucified 
                Christ was an image not of reassurance but of judgment. In their 
                view, when Christ came to judge the living and the dead at the 
                end of time, only the damned would see him emblazoned with his 
                wounds. Shortly after the millennium, however, this image began 
                to change. By the mid-11th century, some Christians began to meditate 
                on Christ at the moment of the Crucifixion. Once avoided as an 
                image of damnation, the crucified Christ would become the central 
                symbol of later medieval Europe.
The 
                shift, she explains, occurred around the turn of the first millennium. 
                Before that time, pious Christians prayed to Christ as the all-powerful 
                King of Heaven rather than as the man who had died a humiliating 
                death. According to many early church authorities, the crucified 
                Christ was an image not of reassurance but of judgment. In their 
                view, when Christ came to judge the living and the dead at the 
                end of time, only the damned would see him emblazoned with his 
                wounds. Shortly after the millennium, however, this image began 
                to change. By the mid-11th century, some Christians began to meditate 
                on Christ at the moment of the Crucifixion. Once avoided as an 
                image of damnation, the crucified Christ would become the central 
                symbol of later medieval Europe. 
              "This 
                image came into being at a particular point in European history, 
                and it was refined and developed for centuries thereafter," says 
                Fulton. "It survives in altered form today in the continuing search 
                for the human, historical Jesus, and it was, I would argue, at 
                the root of the development of modern methods of historical criticism." 
                
              Fulton, 
                who joined Chicago's faculty in 1994, is one of many scholars 
                across campus who study Europe's medieval era, the 1,000--year 
                period from 400 to 1400 a.d. Though the era has been studied for 
                centuries, U of C medievalists believe there are thousands of 
                mysteries still to unravel, whose answers would shed light on 
                today's culture. For example, what can we learn from images displayed 
                in the stained glass of Chartres Cathedral? What audiences listened 
                to medieval motet music and why? How did European society's conception 
                of evil change over the course of several centuries?
               
  
 