An illustrated
(and illustrative) tour
Like
some other University of Chicago graduates and friends, I spent
a week this August traveling through the Emerald Isle as part of
the Town and Country in Ireland Alumni Association tour
featuring U of C English professor James Chandler, AM72, PhD78.
And like the rest of my fellow travelers, I found that the trip
lived up to the most important promise of the promotional brochures:
traveling with a Chicago professor turned a tour into a course of
study, opening avenues of thought I wouldnt have taken on
my ownor would have stumbled upon only through the luckiest
of detours.
So while I brought home the typical tourists bounty of T-shirts
and woolen gloves, scenic postcards and impulse-buy paperbacks,
a refrigerator magnet and a CD of traditional Irish music, I also
returned with a fresh list of novels to read, topics to research,
and friends to write.
Yet despite the best efforts of illustrator Mark McMahonwho
joined the group to document the trip for the Magazine (see
page 20) and who offered sketching lessons to anyone who wanted
themI didnt learn to draw. Maybe I tried too hard: Use
a pen, not a pencil, Mark told me at one point. With
a pencil, youre way too hesitant. Just go with it. In
a while, Mark looked up from his own blossoming drawing of Muckross
Abbey and tried again to get me started: Break down what you
see into geometric shapes.
Later, I stood with Mark and two other artistic acolytes, our
sketchbooks propped against a chest-high hedge. On the other side,
at the top of a hilly meadow, towered a Celtic cross, said to be
the final resting place of a local landlord whod been buriedstanding
upinside the cross, so that even in death he would have a
view of his beloved lakes of Killarney.
True to form, Mark helped us break the cross into its geometric
components. Id like to share my drawing, but in a mishap that
wont surprise the Freudians in the audience, I managedin
a luggage-lightening episode at our Dublin hotelto throw away
that sketch. Whoops!
Like Mark, however, traveler F. Charles Woodruff, PhB48,
of Redwood City, California, is an accomplished artist, drawing
by day and adding water colors each night. Above is one of his Dublin
street scenes.
And by the end of the journey, I found Ireland had hurtled me
into poetryor rather, verse. With apologies to W. B. Yeats,
I offer the following fragment:
Yearning and yearning in the woolen-mill store
The tourists cannot hear the tourist guide.
Things fall behind. The schedule cannot hold.
Sheer anarchy is loosed upon the land.
The Great Books tribe is loosed, and everywhere
The Kerry journey of Chicago grads gets drawn.
The best back home get printed, while the rest
are filled with passable geometry.
Surely some relaxation is at hand.
Surely a pint of Guinness is at hand.
A pint of Guinness! Hardy are those wordsstout.
Then a vast intake of that Spiritus mundi
Doubles my sight.
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